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Название книги: The Life of Anton Bruckner
Автор(ы): Gabriel Engel
Жанр: Биографии и Мемуары
Адрес книги: http://www.6lib.ru/books/The-Life-of-Anton-Bruckner-152950.html
from CHORD AND DISCORDA JOURNAL OF MODERN MUSICAL PROGRESSPublished by the Bruckner Society of America, Inc.in January, 1940 – (Vol. 2, No.1) Like Franz Schubert, Anton Bruckner springs from a line of Austrian schoolmasters. In the pleasantly situated village of Ansfelden, not far from the town of Linz, Bruckner's grandfather Joseph and his father Anton had both devoted their lives to the drab duties of rustic pedagogy, at that time still considered a hereditary occupation among provincials. Hence the arrival on earth of Anton himself on September 4, 1824, meant in the normal course of things merely a fresh candidate for the abundant miseries of schoolmastership. As early as his fourth year the tiny "Tonerl," like Haydn a century before him, showed his undeniable musical bent, for even then he could bring forth intelligible music from a little fiddle and (to quote an old Ansfelder's naive characterization of these first signs of composer's fancy) "could often be heard humming o
Название книги: The Life of Anton Bruckner
Автор(ы): Gabriel Engel
Жанр: Биографии и Мемуары
Адрес книги: http://www.6lib.ru/books/The-Life-of-Anton-Bruckner-152950.html
from CHORD AND DISCORDA JOURNAL OF MODERN MUSICAL PROGRESSPublished by the Bruckner Society of America, Inc.in January, 1940 – (Vol. 2, No.1) Like Franz Schubert, Anton Bruckner springs from a line of Austrian schoolmasters. In the pleasantly situated village of Ansfelden, not far from the town of Linz, Bruckner's grandfather Joseph and his father Anton had both devoted their lives to the drab duties of rustic pedagogy, at that time still considered a hereditary occupation among provincials. Hence the arrival on earth of Anton himself on September 4, 1824, meant in the normal course of things merely a fresh candidate for the abundant miseries of schoolmastership. As early as his fourth year the tiny "Tonerl," like Haydn a century before him, showed his undeniable musical bent, for even then he could bring forth intelligible music from a little fiddle and (to quote an old Ansfelder's naive characterization of these first signs of composer's fancy) "could often be heard humming o
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