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Название книги: Burnt Sienna
Автор(ы): David Morrell
Жанр: Триллер
Адрес книги: http://www.6lib.ru/books/Burnt-Sienna-152050.html
To Danny Baror:foreign agent extraordinaireThat’s my last Duchess painted on the wall,Looking as if she were alive– Robert Browning
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From Newsweek“That was a long time ago. I don’t think about it,” Malone claims. But if, according to the critics, his paintings celebrate life more than any artist since the Impressionists, one can’t help suspecting that the sensuality in his work is a reaction to the nightmare he barely survived on the night of December 20, 1989, during the U.S. invasion of Panama.A painter who was once a military helicopter pilot – in the cutthroat competition of today’s art world, that dramatic juxtaposition between Malone’s violent past and artistic present accounts for part of his mystique. But while his Marine background is exotic to some patrons, it also initially made critics skeptical that his work had merit. As Douglas Fennerman, Malone’s art representative, points out, “Chase had to work twice as hard to earn his reputation. From that point of view, it doesn’t hurt to have a soldier’s ba
Название книги: Burnt Sienna
Автор(ы): David Morrell
Жанр: Триллер
Адрес книги: http://www.6lib.ru/books/Burnt-Sienna-152050.html
To Danny Baror:foreign agent extraordinaireThat’s my last Duchess painted on the wall,Looking as if she were alive– Robert Browning
ONE
1
From Newsweek“That was a long time ago. I don’t think about it,” Malone claims. But if, according to the critics, his paintings celebrate life more than any artist since the Impressionists, one can’t help suspecting that the sensuality in his work is a reaction to the nightmare he barely survived on the night of December 20, 1989, during the U.S. invasion of Panama.A painter who was once a military helicopter pilot – in the cutthroat competition of today’s art world, that dramatic juxtaposition between Malone’s violent past and artistic present accounts for part of his mystique. But while his Marine background is exotic to some patrons, it also initially made critics skeptical that his work had merit. As Douglas Fennerman, Malone’s art representative, points out, “Chase had to work twice as hard to earn his reputation. From that point of view, it doesn’t hurt to have a soldier’s ba
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